New Photo - Shedeur Sanders shatters record with $17.7M in group licensing income

Shedeur Sanders shatters record with $17.7M in group licensing income Field Level MediaSat, May 30, 2026 at 9:13 PM UTC 0 Shedeur Sanders throws at the Browns OTA in Berea on May 27, 2026. (Lisa Scalfaro / USA TODAY NETWORK via Imagn Images) Cleveland Browns quarterback Shedeur Sanders earned a record $17.7 million in group licensing income, according to an annual report filed by the NFL Players Association. Sanders shattered the previous singleseason record, which was held by Tom Brady in 202122 ($9.5 million).

Shedeur Sanders shatters record with $17.7M in group licensing income

Field Level MediaSat, May 30, 2026 at 9:13 PM UTC

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Shedeur Sanders throws at the Browns OTA in Berea on May 27, 2026. (Lisa Scalfaro / USA TODAY NETWORK via Imagn Images)

Cleveland Browns quarterback Shedeur Sanders earned a record $17.7 million in group licensing income, according to an annual report filed by the NFL Players Association.

Sanders shattered the previous single-season record, which was held by Tom Brady in 2021-22 ($9.5 million).

According to Front Office Sports, Group licensing accounts for deals that involve six of more players. Common examples include jerseys and trading cards.

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As a result, that $17.7 million figure does not even include his personal endorsement deals with Beats by Dre, Gatorade and others.

The rookie quarterback played in eight games (seven starts) for the Browns last season, throwing for 1,400 yards, seven touchdowns and 10 interceptions. He also rushed for 169 yards and a touchdown.

The next-highest earner for group licensing was fellow rookie Travis Hunter ($12.8 million) of the Jacksonville Jaguars, who was teammates with Sanders in college at Jackson State and Colorado. Chiefs quarterback Patrick Mahomes earned $8 million.

--Field Level Media

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Shedeur Sanders shatters record with $17.7M in group licensing income

Shedeur Sanders shatters record with $17.7M in group licensing income Field Level MediaSat, May 30, 2026 at 9:13 PM UTC 0 Shedeu...
New Photo - What happened to the cast of Caddyshack? See what the stars of the golf comedy are doing now

Like gophers on the Bushwood Country Club golf course, you can't get rid of the cast of this comedy easily. What happened to the cast of Caddyshack? See what the stars of the golf comedy are doing now Like gophers on the Bushwood Country Club golf course, you can't get rid of the cast of this comedy easily. By Randall Colburn :maxbytes(150000):stripicc()/RandallColburnauthorphotoe7e8b48d9f8645588439077e721a5f48.jpg) Randall Colburn Randall Colburn is a writer and editor at . His work has previously appeared on The A.V. Club, The Guardian, The Ringer, and many other publications.

Like gophers on the Bushwood Country Club golf course, you can't get rid of the cast of this comedy easily.

What happened to the cast of Caddyshack? See what the stars of the golf comedy are doing now

Like gophers on the Bushwood Country Club golf course, you can't get rid of the cast of this comedy easily.

By Randall Colburn

Randall Colburn author photo

Randall Colburn

Randall Colburn is a writer and editor at **. His work has previously appeared on The A.V. Club, The Guardian, The Ringer, and many other publications.

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and Ilana Gordon

Ilana Gordon

Ilana Gordon is an entertainment, culture, and comedy writer originally from Connecticut. She currently lives in Los Angeles.

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May 28, 2026 3:00 p.m. ET

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Chevy Chase as Ty Webb, Bill Murray as Carl Spackler, Rodney Dangerfield as Al Czervik, and Ted Knight as Judge Elihu Smails in 'Caddyshack'

Chevy Chase as Ty Webb, Bill Murray as Carl Spackler, Rodney Dangerfield as Al Czervik, and Ted Knight as Judge Elihu Smails in 'Caddyshack'. Credit:

"Hey, everybody, we're all gonna get laid!" Thus concludes the 1980 comedy *Caddyshack*, a film about the members and employees of the fictional Bushwood Country Club. The golf movie follows a teenage caddie (Michael O'Keefe) who pursues a college scholarship, only to end up in the middle of a clash between one of the club’s founders (Ted Knight) and a new-money real estate developer (Rodney Dangerfield).

*Caddyshack* was also a Murray family affair. Brian Doyle-Murray co-wrote the script, which was inspired by his brother, Ed, who won a caddie scholarship while attending Northwestern University. Their brother, Bill, steals the film as an unstable groundskeeper who is tasked with killing an errant gopher.

Also featuring Chevy Chase as a "nouveau riche" businessman, *Caddyshack *is one of the 1980's most memorable comedy exports. Harold Ramis — who would go on to star in 1984's *Ghostbusters* and direct hits like *National Lampoon's Vacation* (1983) and *Groundhog Day* (1993) — makes his directorial debut with this “snobs vs. slobs” classic.

Read on to see where the *Caddyshack* cast is now.**

Chevy Chase (Ty Webb)

Chevy Chase as Ty Webb in 'Caddyshack'; Chevy Chase at 'SNL50: The Anniversary Special' on Feb. 16, 2025

Chevy Chase as Ty Webb in 'Caddyshack'; Chevy Chase at 'SNL50: The Anniversary Special' on Feb. 16, 2025.

Courtesy Everett Collection; TheStewartofNY/WireImage

Chevy Chase's career was on the rise when he starred as Bushwood co-founder Ty Webb, the dry, would-be mentor to O'Keefe's Danny.

Speaking with EW in 2004, Chase praised the performance of his *Caddyshack* costar Bill Murray, a surprising reversal considering the two physically fought each other backstage at *Saturday Night Live* two years earlier.

”What makes him a great comedian is the danger in his comedy. You’re never sure what he’ll do," Chase said of Murray. "[Now] when I think of *Caddyshack*, I think of Billy. Incredible performance. Ty is just me with a tux on, being arrogant the way I was.”

Chase was among the original *SNL* cast, but he departed mid-season 2 to focus on his movie career. His most enduring role is as hapless patriarch Clark Griswold, a character he revisited in four *National Lampoon's Vacation* films. (Five if you count 2015's *Vacation.*)

Chase found television success with the NBC sitcom *Community*, but clashes with the creative team and his costars caused him to leave during season 4. It's alleged in a 2018 *New Yorker* profile of *Community* star Donald Glover that Chase repeatedly made racist jokes on set and would try to "disrupt" Glover's scenes during filming.

“I am saddened to hear that Donald perceived me in that light,” Chase said in response.

Speaking about his departure, Chase told Marc Maron in 2023 that "the show wasn't funny enough for me, ultimately," adding, "I felt a little bit constrained."

In 2024, Cory Michael Smith played Chase in *Saturday Night*, a comedy about the making of the sketch show's premiere episode. After watching it for the first time, Chase reportedly told director Jason Reitman, "Well, you should be embarrassed".

On New Year's Day 2026, CNN Films released a documentary about Chase's life, *I'm Chevy Chase and You're Not*. Several of his former collaborators and coworkers chose not to participate.

Rodney Dangerfield (Al Czervik)

Rodney Dangerfield as Al Czervik in 'Caddyshack'; Rodney Dangerfield at the '50 First Dates' premiere in Westwood, Calif., 2004

Rodney Dangerfield as Al Czervik in 'Caddyshack'; Rodney Dangerfield at the '50 First Dates' premiere in Westwood, Calif., 2004.

Orion Pictures/Courtesy: Everett Collection; SGranitz/WireImage

The great Rodney Dangerfield was a successful comedian throughout the 1960s and 1970s. But his profile skyrocketed thanks to his sublime turn as the loud-mouthed Al Czervik, a real estate developer who runs afoul of Ted Knight's square Elihu Smails. "Hey baby, you must've been something before electricity," he memorably cracks to the judge's wife.

Cindy Morgan, who played bombshell Lacey Underall, recalled to *Sports Illustrated* in 2010 that, funny as Dangerfield was, the comic was nervous about his performance. "I remember having lunch with Rodney one day and he's tugging on his collar just like he does in his act, going, 'Am I O.K.? It's my first movie.' It's amazing how someone that funny could be insecure."

Dangerfield went on to lead several comedies, including *Easy Money* (1983), *Back to School* (1986), and *Ladybugs* (1992), along with a deeply scary, dramatic turn in Oliver Stone's *Natural Born Killers* (1994). He won a Grammy Award for Best Comedy Album for his 1980 release *No Respect*, and received a star on the Hollywood Walk of Fame in 2002.

Dangerfield was a mentor and advocate for younger comedians, often working with a young Jim Carrey. “He was always there for me, always supported me, even when I was experimenting and didn’t know what the hell I was doing,” Carrey said on a 2020 episode of the *Howard Stern Show*.

In 2004, Dangerfield died at age 82 from complications after heart valve replacement surgery.**

Michael O'Keefe (Danny Noonan)

Michael O'Keefe as Danny Noonan in 'Caddyshack'; Michael O'Keefe at the 'Your Friends & Neighbors' premiere on April 8, 2025

Michael O'Keefe as Danny Noonan in 'Caddyshack'; Michael O'Keefe at the 'Your Friends & Neighbors' premiere on April 8, 2025.

Courtesy Everett Collection; John Nacion/Variety via Getty

Michael O'Keefe plays Danny Noonan, the caddy who tries to worm his way into the country club's inner sanctum. According to O'Keefe, Danny was even more central to the story in early drafts of the script, but his role was diminished to shine a larger spotlight on the supporting ensemble.

Not that O'Keefe is complaining. In a 2024 interview with *Cracked*, he explained how Chevy Chase, Rodney Dangerfield, Ted Knight, and Bill Murray's characters evolved. “Within a week, it was so clear that Rodney was going to hit home runs every time he opened his mouth, and that Ted was absolutely insane in the right way in the role, and that Chevy was going to bring a lot to the table. And then once Bill came, he started doing his thing. That’s when they realized we’ve got to abandon this ‘Danny Noonan grows up and learns his lesson’ [plot].”

O'Keefe was already an Academy Award nominee for his work in 1979's *The Great Santini *when he appeared in *Caddyshack*. The actor went on to lead films like *Split Image* (1982) and *The Slugger's Wife* (1985).

A reliable supporting player, O'Keefe continued to appear in movies (1996's *Ghosts of Mississippi*,* *2007's *Michael Clayton*) and TV (*Roseanne**, Homeland*) over the last 40 years. Most recently, he appeared opposite Jon Hamm on Apple TV's *Your Friends and Neighbors*.

O'Keefe lives in Woodstock, N.Y., with his wife and son. He writes poetry and was ordained as a Zen priest in 1994, though he later renounced his vows. He currently studies in a sect "that combines Buddhism, Daoism, and Confucianism."**

Ted Knight (Elihu Smails)

Ted Knight as Elihu Smails in 'Caddyshack'; Ted Knight circa the 1980s

Ted Knight as Elihu Smails in 'Caddyshack'; Ted Knight circa the 1980s.

Everett Collection; Ralph Dominguez/MediaPunch via Getty

We're big fans of Ted Knight's boisterous, bug-eyed performance as Elihu Smails, with EW's own Dalton Ross routinely summoning it in articles.

Knight, beloved for his turn as Ted Baxter on *The Mary Tyler Moore Show*, was nearing the end of his career when he appeared in *Caddyshack*, which turned out to be his final film role.

He chased *Caddyshack* with numerous appearances on *The Love Boat*, as well as a starring role on the ABC sitcom *Too Close For Comfort*, which was renamed *The Ted Knight Show* after a 1986 retooling.

Knight died that same year at age 62 due to "complications from the surgical removal of a cancerous growth from his urinary tract," per the *New York Times*. The year before his death, he was awarded a star on the Hollywood Walk of Fame.**

Cindy Morgan (Lacey Underall)

Cindy Morgan as Lacey Underall in 'Caddyshack'; Cindy Morgan at the 1st annual PopCon LA on July 8, 2012

Cindy Morgan as Lacey Underall in 'Caddyshack'; Cindy Morgan at the 1st annual PopCon LA on July 8, 2012.

Orion Pictures/Getty; Albert L. Ortega/Getty

Cindy Morgan beguiled caddies (and audiences) as *Caddyshack*'s Lacey Underall, the promiscuous niece of Judge Smails.

A former weather forecaster, Morgan found success as a model after moving to Los Angeles. *Caddyshack* was her film debut.

"I was nervous when I went in to read for Lacey Underall, but I told myself, I just need to focus on one thing — whoever I'm reading with, I have to make him sweat," Morgan told *Sports Illustrated* in 2010. "I read with [co-writer and producer] Doug Kenney, and when I saw a little trickle of sweat come down the side of his face, I knew I got the job."

Morgan followed *Caddyshack *with a leading role in the sci-fi favorite *Tron* (1982). Throughout the 1980s, she appeared on several popular series, including *CHiPs*, *The Fall Guy*, and *Matlock*, and enjoyed a memorable arc as Gabrielle Short on the CBS soap *Falcon Crest*.

Morgan mostly stepped back from acting by the end of the 1990s. But she used her *Caddyshack* notoriety to help organize the Caddyshack Reunion Golf Tournament, raising money for families of National Guard members and reservists called to active duty.

In January 2024, Morgan, who was living in Lake Worth Beach, Fla., died of natural causes at age 69.**

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Bill Murray (Carl Spackler)

Bill Murray as Carl Spackler in 'Caddyshack'; Bill Murray at the Cannes Film Festival on May 19, 2025

Bill Murray as Carl Spackler in 'Caddyshack'; Bill Murray at the Cannes Film Festival on May 19, 2025.

Orion Pictures Corp/Courtesy Everett; Stephane Cardinale - Corbis/Corbis via Getty

Bill Murray was wrapping up his Emmy-winning stint on *Saturday Night Live*, and fresh off a leading role in the screwball camp comedy *Meatballs* (1979), when he stole scenes in *Caddyshack* as twisted groundskeeper Carl Spackler, who's tasked with disposing of a gopher that's tearing up the greens.

"There were no scripted lines for Bill in the whole movie," Ramis told *Sports Illustrated* in 2010. "Everything we shot with him, he would just riff. That's how he worked."

"My part just kept growing like a mushroom," Murray added. "I'd go back to New York and work on *SNL*, and they'd call me up and ask if I wanted to come back down and do some more."

Murray has achieved a fascinating career in the decades since *Caddyshack*, leading a slew of hit comedies — *Ghostbusters* (1984), *What About Bob? *(1991), *Groundhog Day *(1993) — before gaining traction as a dramatic actor with an affecting turn in Wes Anderson's *Rushmore* (1998).

For his vulnerable performance as an actor whose career is in decline in Sophia Coppola's *Lost in Translation** *(2003), Murray was nominated for an Academy Award. He went on to appear in nine more Anderson films, and also starred in works from Jim Jarmusch (2005’s *Broken Flowers, *2019’s *The Dead Don't Die*) and Coppola (2020’s *On the Rocks*).

In 2001, Murray and several of his brothers, including *Caddyshack* co-writer Brian Doyle-Murray, opened up Murray Bros. Caddyshack Bar & Grill in St. Augustine, Fla. They opened a second location in the Chicago suburbs in 2018.

Murray reprised his *Ghostbusters* role as Dr. Peter Venkman in *Ghostbusters: Afterlife* (2021) and *Ghostbusters: Frozen Empire* (2024). He also made a cameo appearance in the 2016 remake of the film.

Scott Colomby (Tony D'Annunzio)

Scott Colomby as D'Annunzio in 'Caddyshack'; Sean Colomby at the Hollywood Show on Jan. 13, 2013

Scott Colomby as D'Annunzio in 'Caddyshack'; Sean Colomby at the Hollywood Show on Jan. 13, 2013.

Orion Pictures/Courtesy: Everett Collection; Albert L. Ortega/WireImage

Scott Colomby costarred in *Caddyshack* as the slick, sleeveless Tony D'Annunzio, Danny's fellow caddy (and occasional nemesis).

Colomby was already a seasoned performer before *Caddyshack*, having appeared on episodes of *Baretta*, *Charlie's Angels*, and *One Day at a Time *in the 1970s.

Following his memorable turn in *Caddyshack*, Colomby played Brian Schwartz in Bob Clark's hit sex comedy *Porky's* (1981), as well as its 1983 and 1985 sequels. He would later appear in films like *Timemaster* (1985) and *Desperate Measures* (1998), as well as episodes of *The A-Team*, *Dragnet*, and *Lois & Clark: The New Adventures of Superman*, among many others.

Colomby is also a musician and stage actor. In the mid-1990s, he co-founded Big Elvin & the Professor's Blues Theatre in the Studio City neighborhood of Los Angeles.**

Brian Doyle-Murray (Lou Loomis)

Brian Doyle-Murray as Lou in 'Caddyshack'; Brian Doyle-Murray at the 'Groundhog Day' Broadway premiere on Aug. 8, 2017

Brian Doyle-Murray as Lou in 'Caddyshack'; Brian Doyle-Murray at the 'Groundhog Day' Broadway premiere on Aug. 8, 2017.

Warner Bros./Courtesy Everett Collection; Bruce Glikas/FilmMagic

Brian Doyle-Murray, the older brother of Bill, stars in *Caddyshack* as the droll Lou Loomis, manager of the caddies. He also co-wrote the film with Harold Ramis and Douglas Kenney, while Doyle-Murray and his brothers served as the inspiration for Danny and his large family.

"Doug and Brian Doyle-Murray had started talking about a country club comedy because Brian and his younger brother Bill had been caddies," Ramis explained to *Sports Illustrated* in 2010.

Doyle-Murray acted alongside Bill in movies like *The Razor's Edge* (1984), *Scrooged* (1988), and *Groundhog Day* (1993). You may also recognize him (and his gruff voice) from some of the last century's most enduring comedies, like *National Lampoon's Christmas Vacation* (1989), *Wayne's World* (1992), and *Waiting for Guffman* (1996).

Doyle-Murray had a recurring role in the first two seasons of the AMC cult hit *Lodge 49* and voiced the Flying Dutchman in multiple *SpongeBob* projects across TV and video games. In 2025, he reunited with Chevy Chase for the holiday film, *The Christmas Letter*.

Sarah Holcomb (Maggie O'Hooligan)

Sarah Holcomb as Maggie O'Hooligan and Michael O'Keefe as Danny Noonan in 'Caddyshack'

Sarah Holcomb as Maggie O'Hooligan and Michael O'Keefe as Danny Noonan in 'Caddyshack'.

Courtesy Everett

Sarah Holcomb costarred in *Caddyshack* as Maggie O'Hooligan, Danny's Irish girlfriend who's none too pleased by his dalliance with Lacey.

*Caddyshack* was the final film featuring Holcomb, who had previously played a memorable role in *National Lampoon's Animal House* (1978).

While the exact circumstances of Holcomb's departure from Hollywood are unclear, it's been said that she reportedly withdrew from public life due to the hard-partying culture of the industry at the time.

According to Michael A. Smith, the author of *Jaws 2: The Making of the Hollywood Sequel, *Holcomb declined to speak with him when he attempted to interview her about almost starring in *Jaws 2*. He did, however, speak with her brother in 2015, who confirmed that, at the height of her acting career, Holcomb had "found herself going down a path she did not want to travel."

Writing on the Daily Jaws, he continued, "Despite her best efforts, she would invariably end up in situations she did not want to be a part of."**

Dan Resin (Dr. Beeper)

Dan Resin as Dr. Beeper in 'Caddyshack'

Dan Resin as Dr. Beeper in 'Caddyshack'.

Orion Pictures/Courtesy: Everett Collection

The Indiana-born Dan Resin costarred in *Caddyshack* as Dr. Beeper, the snobby, in-demand doctor who serves as a flunky of sorts for Judge Smails.

Resin was a regular both on and Off Broadway, but he's remembered by many for being one of several actors to portray the elegant Ty-D-Bol Man in ads for the toilet bowl cleaner.

Prior to *Caddyshack*, Resin appeared in several films, including two from the brilliant Larry Cohen: *God Told Me To *(1976) and *The Private Files of J. Edgar Hoover *(1977).* *He later worked with Brian De Palma on *Wise Guys* (1986) and Tony Randall on the mockumentary *That's Adequate* (1990).

Resin died in July 2010 at age 79 of complications from Parkinson's disease. Per his obituary, he spent most of his life in Secaucus, N.J., "where he was a communicant and Eucharistic Minister at Immaculate Conception Church."

Henry Wilcoxon (Bishop Fred Pickering)

Henry Wilcoxon as Bishop Fred Pickering in 'Caddyshack'

Henry Wilcoxon as Bishop Fred Pickering in 'Caddyshack'.

Henry Wilcoxon enjoyed a long, fruitful career in show business prior to joining *Caddyshack *as Bishop Fred Pickering. In one of the film's most surprising sequences, his character golfs the best game of his life during a terrifying storm, misses a putt, curses God, and gets struck by lightning. "Rat farts," indeed.

Throughout the 1940s and 1950s, Wilcoxon worked closely with famed director Cecil B. DeMille. He starred in and produced many of DeMille's films, including *The Greatest Show on Earth* (1952) and *The Ten Commandments* (1956). He received a star on the Hollywood Walk of Fame in 1960.

He only appeared in one film after *Caddyshack*, the slasher *Sweet Sixteen* (1983). He also guested on a handful of TV series, including a 1983 episode of *Pvt. Benjamin*.

Wilcoxon died in March 1984 at age 78 after a struggle with cancer, per the *New York Times*.**

Where can I watch Caddyshack?

*Caddyshack* is currently available to stream free with ads on YouTube.

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What happened to the cast of Caddyshack? See what the stars of the golf comedy are doing now

Like gophers on the Bushwood Country Club golf course, you can't get rid of the cast of this comedy easily. What happened to th...
New Photo - What Happens to Crypto If the CLARITY Act Becomes Law in July?

What Happens to Crypto If the CLARITY Act Becomes Law in July? Sam DaoduSat, May 30, 2026 at 9:30 AM UTC 0 Visuals6x / Shutterstock.comQuick Read The CLARITY Act sorts every crypto asset into one of three legal buckets, including digital commodity, investment contract asset, or payment stablecoin. This classification ends the SEC’s ability to sue exchanges and token issuers without warning. The White House is targeting a July 4 signing, and JPMorgan called passage a “positive catalyst” for all digital assets and predicted markets could surge in H2 2026.

What Happens to Crypto If the CLARITY Act Becomes Law in July?

Sam DaoduSat, May 30, 2026 at 9:30 AM UTC

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Visuals6x / Shutterstock.comQuick Read -

The CLARITY Act sorts every crypto asset into one of three legal buckets, including digital commodity, investment contract asset, or payment stablecoin. This classification ends the SEC’s ability to sue exchanges and token issuers without warning.

The White House is targeting a July 4 signing, and JPMorgan called passage a “positive catalyst” for all digital assets and predicted markets could surge in H2 2026.

Senator Cynthia Lummis warned in April that if the CLARITY Act fails to clear Congress before the November midterms, it will likely not get another real chance until at least 2030. Failure leaves crypto firms operating under the same regulatory uncertainty that has defined the industry for the last decade.

The analyst who called NVIDIA in 2010 just named his top 10 AI stocks. Get them here FREE.

The CLARITY Act cleared the Senate Banking Committee on May 14, but still needs 60 votes to clear a Senate filibuster, reconciliation with the House, and a presidential signature. The White House is targeting a July 4 deadline for the bill to become law, and Polymarket puts the odds of passage in 2026 at 59%.

Every major crypto asset, including Bitcoin (CRYPTO: BTC), Ethereum (CRYPTO: ETH), XRP (CRYPTO: XRP), and Solana (CRYPTO: SOL), will trade differently the moment President Trump signs the bill. Here is what changes if the CLARITY Act becomes law by July.

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What Exactly Does the CLARITY Act Do?

U-STUDIOGRAPHY DD59 / Shutterstock.com

The Digital Assets CLARITY Act ends the jurisdictional fight between the SEC and CFTC that has defined crypto regulation for a decade. It sorts every digital asset into one of three legal categories: digital commodities like Bitcoin and Ethereum fall under the CFTC, investment contract assets, tokens sold to fund a central team, fall under the SEC, and payment stablecoins fall under banking regulators.

The SEC and CFTC jointly classified Bitcoin and 15 other assets as digital commodities on March 17, 2026, but that was administrative guidance, not law. A future administration could reverse it with a memo, but the CLARITY Act permanently codifies the classification into federal law, so no future SEC chair can undo it.

What Happens to Crypto After the CLARITY Act Passes?

Sorapop Udomsri / Shutterstock.com

Pension funds, sovereign wealth funds, and large asset managers all face compliance requirements that make unclassified digital assets legally difficult to hold. A signed CLARITY Act removes that barrier across the entire market.

Altcoin ETFs Get a Clear Legal Runway

Solana, Avalanche, and Cardano have all filed for spot ETFs but face a stalled approval process because their commodity classification is administrative guidance, not a statute. The CLARITY Act permanently codifies CFTC jurisdiction over those assets' spot markets, giving the SEC a clear legal basis to approve their ETFs.

JPMorgan analysts described this as the development that accelerates the entire altcoin ETF pipeline. Once those ETFs launch, the same institutional capital that drove Bitcoin's post-approval rally gets access to the broader market.

XRP Gains Permanent Statutory Protection

The SEC and CFTC jointly classified XRP as a digital commodity on March 17, but banks, custodians, and large asset managers have stayed cautious because an administrative ruling doesn't carry the same legal weight as federal law.

The CLARITY Act writes XRP's commodity status permanently into statute, removing the final barrier stopping compliance departments from approving XRP allocations. Standard Chartered projects $4-$8 billion in new XRP ETF inflows once the bill passes.

Passage would also accelerate Ripple's On-Demand Liquidity business. The 60% of RippleNet's 300 banking partners still on messaging rails could finally convert to full XRP settlement without legal exposure.

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DeFi Developers Get Safe Harbor Protection

The CLARITY Act bill provides non-custodial DeFi developers, those who write and publish code without holding user funds, with a statutory safe harbor from SEC enforcement. Under the current system, publishing a smart contract can trigger an enforcement action if the SEC decides the underlying token is a security.

The bill makes it clear that if a developer doesn't control user assets, the SEC doesn't have jurisdiction. This matters for on-chain activity. The development teams behind Uniswap, Aave, and Compound have operated under legal uncertainty since 2020. Removing that uncertainty will bring development talent and capital back to U.S.-based projects that moved offshore to avoid regulatory exposure.

Tokenized Real-World Assets Move From Pilots to Production

The XRP Ledger already hosts more than $3.5 billion in tokenized real-world assets. JPMorgan, Mastercard, and Ondo Finance completed a tokenized U.S. Treasury settlement on the XRP Ledger in May 2026, but the transaction operated under a legal gray area because no statute defined the rules for on-chain asset settlement.

The CLARITY Act provides tokenized assets with a statutory framework, allowing the DTCC's $2 quadrillion in annual clearing volume to begin moving toward on-chain settlement without legal exposure. With Ripple Prime already embedded in the NSCC directory, the bill enables institutions to use it at scale.

What Happens to Crypto If the Bill Fails or Gets Delayed Past July?

insta_photos / Shutterstock.com

If the bill misses the July 4 window, the November midterms consume Senate floor time, and legislative momentum collapses. Senator Lummis warned in April that failure would push the act to at least 2030. She described the current moment, House passage, Senate Agriculture Committee clearance, and White House support, as a rare tri-branch alignment that won't survive a midterm election intact.

A failed vote wouldn't crash crypto in one day. Crypto has priced in roughly a 60-65% probability of passage based on policy desk positioning, so the price doesn't drop all at once if the bill stalls. It falls in stages, with each week of no movement in the Senate confirming the 2030 timeline and pricing out more of the upside.

Bitcoin, which already gave back its post-vote bounce to $82,000 and now trades near $73,400, would likely fall further into the low $70,000s and risk testing $70,000 as a floor. XRP, which has historically front-run regulatory catalysts, would probably retrace from $1.34 toward the $1.10-$1.20 lows from earlier this year, losing the $1.30 support it's been hovering around.

Without the CLARITY Act, the SEC retains broad discretion to sue token issuers and exchanges. Institutional allocators who have been waiting for statutory clarity now have to wait again. Lummis called this outcome a descent into "regulatory dark ages," a period where American software developers face prosecution simply for publishing code.

Is the CLARITY Act the Most Important Event for Crypto in 2026?

The CLARITY Act is the most consequential legislative event crypto has ever faced, and the market hasn't fully priced it in yet. The Act unlocks the entire market, every major token, every ETF pipeline, every institutional compliance department, every DeFi developer, simultaneously. JPMorgan has also described the Act as a "positive catalyst" covering the crypto market, a legal framework that will turn a speculative market into one that institutions can actually use.

If the bill clears 60 votes cleanly and reaches Trump's desk before July 4, some of the rally happens before the signature, consistent with how crypto has always front-run regulatory catalysts. Buyers who wait for the announcement will pay more than buyers who understand what the vote means right now.

The analyst who called NVIDIA in 2010 just named his top 10 AI stocks

This analyst's 2025 picks are up 106% on average. He just named his top 10 stocks to buy in 2026. Get them here FREE.

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New Photo - George Orwell becomes the latest casualty of the woke takeover of schools

George Orwell becomes the latest casualty of the woke takeover of schools JulieFri, May 29, 2026 at 4:00 PM UTC 2 From September, George Orwell’s debut work will no longer feature on OCR’s list of nonfiction set texts Ullstein Bild This summer, thousands of teenagers taking one of the UK’s most popular English Alevel courses will have the opportunity to write about George Orwell’s groundbreaking exploration of poverty and homelessness. Down and Out in Paris and London, published in 1933, is still lauded for its unflinching depictions of destitution.

George Orwell becomes the latest casualty of the woke takeover of schools

JulieFri, May 29, 2026 at 4:00 PM UTC

2

From September, George Orwell’s debut work will no longer feature on OCR’s list of non-fiction set texts - Ullstein Bild

This summer, thousands of teenagers taking one of the UK’s most popular English A-level courses will have the opportunity to write about George Orwell’s groundbreaking exploration of poverty and homelessness.

Down and Out in Paris and London, published in 1933, is still lauded for its unflinching depictions of destitution. One contemporary described it as “a genuine human document, which at the same time is written with so much artistic force that, in spite of the squalor and degradation thus unfolded, the result is curiously beautiful with the beauty of an accomplished etching on copper”.

But from this September, Orwell’s debut work will no longer feature on the list of non-fiction set texts for OCR’s English language and literature A-level; however, Wifedom: Mrs Orwell’s Invisible Life – a controversial biography by Anna Funder which claims Orwell’s wife was mistreated by her ungrateful, misogynistic, cheating husband and “cancelled by the patriarchy” – has been added to the list.

For critics, the change is an example of the woke, identity politics-driven takeover of education that began in universities but is now firmly embedded in schools across the UK. Under this agenda, the experiences of a “downtrodden” woman – even a white, well-to-do, Oxford-educated one, whom friends insist was not downtrodden – trump those of a white man, even one considered a literary genius.

Orwell’s first wife, Eileen, was a poet with a master’s degree in psychology who was married to the writer for nine years before dying at the age of 39. Funder claims that Eileen’s domestic and administrative toil – typing, cleaning, arranging, inspiring – while her husband selfishly lived the good life, was instrumental to Orwell’s success.

Eileen, Orwell’s first wife, is portrayed in Anna Funder’s Wifedom as the overlooked force behind the writer’s success - Pictorial Press Ltd / Alamy Stock Photo

Various people are unhappy with this portrayal. Complaints have been made by the children of two of Orwell’s closest friends, who have written to the publishers expressing anger at the book’s errors and tone. Sylvia Topp, who produced a much-praised biography of Eileen in 2020, disputes Funder’s claim that she was “invisible”. Meanwhile, Quentin Kopp, chairman of The Orwell Society, concludes that Funder has “imposed a modern feminist view on a marriage of 80 years ago” in a book he says is deliberately destructive of Orwell and his reputation.

OCR has added fuel to the fire by removing the classic memoir and adding Funder’s book to the reading list. Candidates can choose to study the text from a list of 12 to complete the component, which is worth 20 per cent of the A-level’s total marks.

Students who might once have been introduced to the devastating interwar poverty that blighted the lives of city dwellers in two of the world’s most prosperous capitals can instead read about how Mrs Orwell had to live in a cold cottage and take the bus to the shops. They can also read how Orwell, in his 37 references to “my wife” in Homage to Catalonia, omits her name, even though Funder claims she saved the wounded writer’s life by arranging the paperwork needed to get him out of Spain.

Of course, sixth formers may well encounter the row surrounding Funder’s book as part of their studies, but even if they do, how many of them will end up reading Orwell himself?

Kopp argues that Down and Out, as well as Orwell’s The Road to Wigan Pier, address issues that are “still very current”, while also providing fertile material for studying the similarities and contrasts between the 1930s and today.

“Wifedom is an extremely well-written book which pursues a feminist thesis that is not supported by any serious study of Orwell and Eileen’s life,” he tells The Telegraph. “I helped Anna Funder in many ways, which she acknowledged in the book. Notwithstanding that, it is full of factual errors and shows no understanding of English middle-class mores of the period. As a source for teachers, I think a book containing the author making foul-mouthed criticisms of men to her young daughter is inappropriate.”

This is a reference to Funder telling her 16-year-old daughter that Orwell was “an a---hole”. As Kopp sees it, on the one hand there is Orwell’s “well-researched book discussing issues of contemporary import”; on the other, a “poorly researched feminist attack”.

He says: “I am no authority on feminist literature, but I would be amazed if you could not suggest several better representations of well-argued feminist thought, if that is what is sought.”

John Sutherland, emeritus Lord Northcliffe professor of modern English literature at University College London, describes Wifedom as “somewhat tendentious”, arguing that it follows “the line of unsung heroine-ism which can be overdone in a good cause”.

Other works on OCR’s new list attest, critics argue, to the vice-like grip of the “oppression Olympics” on education. Included are books by deaf, autistic and anxiety-plagued authors, a British writer of Kashmiri heritage and an Albanian writer of Muslim heritage. There is also My Autobiography of Carson McCullers, by Jenn Shapland, which, even according to one Guardian review, focuses too “relentlessly” on the US novelist and playwright’s lesbianism. An anthology of working-class writers titled Common People at least gives the poor a look-in.

OCR said that while George Orwell is not on their new list of works, Wifedom is not there instead of a work by him. A spokesperson said: “Wifedom is not replacing Down and Out in Paris and London; it takes the place of another Anna Funder book on the previous set text list. In fact, many students who read Wifedom will choose to read Orwell’s writing to complement it.

“Inclusion of a text is not an endorsement of its content but of its suitability to generate rigorous and sophisticated analysis, including critique. The range of critical responses to Wifedom, as with other set texts, adds to its strength as a subject of study. Our set texts are not a prescriptive list: students are required to analyse one set text in addition to any other text of their choice.”

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It is not just English that has become a vehicle for activist causes. As The Telegraph recently revealed, exam board Pearson Edexcel’s decision to allow the use of gender-neutral terms in GCSE French lessons has triggered an international row. Sixteen-year-olds in England, Wales and Northern Ireland can now dispense with confusing masculine and feminine nouns and pronouns in their writing and speaking exams. Instead of using “il” and “elle”, they may opt for the newly coined hybrid word “iel”, with “iels” as a neutral plural.

It is a concession not even sanctioned by the French. Jean-Michel Blanquer, the former French education minister, called the exam board’s terms “absurd” and said they do not correspond to any widespread usage among the French population.

Jean-Michel Blanquer, France’s former education minister, called Pearson Edexcel’s use of gender-neutral French pronouns ‘absurd’ - BEHROUZ MEHRI/Getty

A Pearson spokesman said: “Gender-neutral pronouns are not required as part of Pearson Edexcel GCSE French, German or Spanish. The specifications require students to learn and be assessed on only the standard masculine and feminine forms used in these languages.”

Perhaps the starkest example of this ideological shift can be found in an accompanying Pearson Edexcel Spanish revision guide. One writing exercise asks students to translate the sentence: “My brother is transgender and happy.” The phrase appears among a set of otherwise mundane practice exercises.

Meanwhile, problematic words such as “immigration” and “homosexuality” are increasingly being removed from GCSE history syllabuses, along with terms including “slave”, “native Indian” and “gypsy”.

Pupils studying the Edexcel history course, which covers subjects ranging from early Elizabethan England to the USA and Nazi Germany, will now learn about migration and migrants rather than immigration and immigrants – even though, in general usage, “migrant” tends to refer to someone who moves temporarily to another country rather than settling there. The term “slaves” has also been replaced with “enslaved people”.

References to American “native Indians” in the old syllabus have been changed to “indigenous people”, “gypsies” has become “Roma and Sinti”, and “Jews” has been altered to “Jewish people”.

Perhaps more significantly, examiners have also removed references to tensions caused by immigration to the UK. In a section titled “Whitechapel, c1870–c1900: crime, policing and the city”, the old syllabus directed pupils to study: “The tensions arising from the settlement of immigrants from Ireland and eastern Europe. Pressures caused by the increase in Jewish immigration during the 1880s and the tendency towards segregation.”

In the new course, teenagers instead study: “The impact of changing patterns of migration: the settlement of migrants from Ireland and eastern Europe, and the increase in Jewish migration during the 1880s.”

Examiners said the wording was changed “to remove any implication of migrants being the sole cause of tensions”. Pearson said: “We regularly update the content of our specifications and involve teachers and other external experts where relevant.”

Another exam board has criticised as “Eurocentric” the division of history into the “medieval, early modern and modern” eras. In its draft GCSE history syllabus, the Welsh exam board WJEC tells teachers that “you may wish to avoid using these terms” and instead suggests the periods c500 to c1450, c1450 to c1750, and c1750 to 10 years before the start of the course. It says it will continue referring to the traditional eras in exam papers “for now”, for the sake of clarity.

Even the word “homosexuality” has prompted concern at Edexcel HQ. It has been removed from the religious studies GCSE and replaced with “same-sex sexual relationship” in order to “use more inclusive, up-to-date terminology which is better suited to the context in which it is used”.

According to Chris McGovern, chairman of the Campaign for Real Education, public examinations are being weaponised to force children to conform to the “tyranny of fascist woke ideology”.

Jeremy Black, the historian, author and former professor of history at Exeter University, likens it to “brainwashing”. He tells The Telegraph:“This is much more serious than the attitudes of individual academics or institutions, because the exam boards set the context, and often the content, of what students are learning in school. This is serious stuff.”

What strikes critics as extraordinary is that so much time and energy is being devoted to questions of equality, diversity and inclusion – and to scrutinising the modern implications of individual words – at a time when 55 per cent of pupils are failing to secure the English and maths GCSE passes needed to progress to sixth form, college, apprenticeships or work.

“Exam boards are allowing identity politics to distort the content of their GCSEs and A-levels in the false belief that this will somehow make education more ‘inclusive’,” says Iain Mansfield, head of education at the think tank Policy Exchange. “The real challenge is the many children – particularly those from disadvantaged backgrounds – who lost out when schools closed during Covid. Exam boards should be raising standards for all, not censoring words, content and texts in the name of diversity.”

Among disadvantaged teenagers, the GCSE failure rate rises to 74 per cent, with many swelling the growing ranks of Neets – those not in education, employment or training. Educationalists preoccupied with identity and colonialism have comparatively little to say about these young people. When you are down and out, you do not get much of a look-in.

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George Orwell becomes the latest casualty of the woke takeover of schools

George Orwell becomes the latest casualty of the woke takeover of schools JulieFri, May 29, 2026 at 4:00 PM UTC 2 From September...
New Photo - New Zealand's Tim Payne goes from unknown to viral sensation ahead of World Cup

New Zealand&x27;s Tim Payne goes from unknown to viral sensation ahead of World Cup Victoria Hernandez, USA TODAYSat, May 30, 2026 at 3:47 AM UTC 0 Ronaldo, Messi, Neymar. All household names that any soccer fan — or casual sports fan, honestly — instantly recognizes. How about Tim Payne? A week ago, it might have been the name of the mailman or a local laywer. But now, it&x27;s the soccer player the internet is buzzing about just weeks ahead of the 2026 World Cup. Payne is a defender who is on New Zealand&x27;s 26man roster for the upcoming tournament.

New Zealand's Tim Payne goes from unknown to viral sensation ahead of World Cup

Victoria Hernandez, USA TODAYSat, May 30, 2026 at 3:47 AM UTC

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Ronaldo, Messi, Neymar.

All household names that any soccer fan — or casual sports fan, honestly — instantly recognizes.

How about Tim Payne?

A week ago, it might have been the name of the mailman or a local laywer.

But now, it's the soccer player the internet is buzzing about just weeks ahead of the 2026 World Cup.

Payne is a defender who is on New Zealand's 26-man roster for the upcoming tournament. The 32-year-old plays for the Wellington Phoenix, a team in the Australian A-League. New Zealand isn't exactly a soccer powerhouse. The All Whites will be playing in their third World Cup this summer and have never made it out of the group stage.

But Payne is a celebrity before he even plays his first World Cup match when New Zealand takes on Iran on June 15 at SoFi Stadium in Inglewood, California, in Group G play.

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Earlier this week, his Instagram page skyrocketed to 2 million followers in 48 hours. He happened to be chosen by Argentinian soccer influencer and content creator Valen Scarsini to highlight as the "least-known player in the World Cup." Scarsini, who goes by the nickname "El Scarsco," published a video on Tuesday, May 26 to his nearly 2 million followers across Instagram, TikTok and YouTube. He broke down how he went through all 48 nations in the field and decided on Payne, encouraging his followers to post about him and, saying in his caption in Spanish, "May he be the main character of the World Cup!"

Well, fans listened and flocked to Payne's Instagram page, which had only 4,715 followers before he went viral. They followed him in droves and created the tagline, "No Payne, No Gain." KitKat, Samsung, Pizza Hut and the NFL Mexico Instagram accounts were commenting on his posts. Fans on X were pulling his Panini World Cup card and asking if they should keep it or "sell for millions?" He received so much attention that the official Instagram account for the World Cup posted a gallery of images of Payne with the caption, "Two words: Tim Payne."

Scarsini published follow-up posts chronicling the journey, including a post celebrating Payne crossing the 2 million follower mark while holding up two celebratory drinks.

On Thursday, May 28, Payne responded with his own thank you video on Instagram. He started by speaking in Spanish, which he said he learned via Duolingo, and then thanked Scarsini in English.

"It's been a pretty crazy 48 hours to say the least," he continued in English with Spanish captions on the video. "I just also wanted to express that I'm very grateful to be representing my country at this World Cup and I appreciate all the love from all around the world."

At the time of publication, Payne's Instagram has 2.4 million followers. That's more than USMNT stars Timothy Weah, Gio Reyna and Matt Turner combined.

This article originally appeared on USA TODAY: Tim Payne goes from unknown to viral sensation ahead of World Cup

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New Zealand's Tim Payne goes from unknown to viral sensation ahead of World Cup

New Zealand&x27;s Tim Payne goes from unknown to viral sensation ahead of World Cup Victoria Hernandez, USA TODAYSat, May 30...
New Photo - Paul McCartney Reveals a Sweet Gift He Once Gave Wife Linda That Was Inspired by Jackie Kennedy

Paul McCartney Reveals a Sweet Gift He Once Gave Wife Linda That Was Inspired by Jackie Kennedy Rachel RaposasFri, May 29, 2026 at 10:58 PM UTC 0 Paul and Linda McCartney, and Jackie Kennedy.Credit: Rino Petrosino/Mondadori Portfolio via Getty; Bettmann Paul McCartney once gifted his late wife Linda a bracelet inspired by one Jackie Kennedy owned The couple married in 1969 and had three children, remaining together until Linda&x27;s death in 1998 McCartney previously described his first wife as a "freeing influence" on him Paul McCartney once gifted his late wife Linda McCartney a particularly...

Paul McCartney Reveals a Sweet Gift He Once Gave Wife Linda That Was Inspired by Jackie Kennedy

Rachel RaposasFri, May 29, 2026 at 10:58 PM UTC

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Paul and Linda McCartney, and Jackie Kennedy.
Credit: Rino Petrosino/Mondadori Portfolio via Getty; Bettmann -

Paul McCartney once gifted his late wife Linda a bracelet inspired by one Jackie Kennedy owned

The couple married in 1969 and had three children, remaining together until Linda's death in 1998

McCartney previously described his first wife as a "freeing influence" on him

Paul McCartney once gifted his late wife Linda McCartney a particularly meaningful piece of jewelry — and he got the idea from none other than Jackie Kennedy.

The legendary musician, 83, joined Amanda Dimoldenberg for an episode of Chicken Shop Date, during which the pair discovered they both have an affinity for lilies. The flowers are nice, McCartney said, but the word "lily" itself holds a special significance to him, as it recalls memories of a heartfelt gift to his first wife, Linda.

McCartney recalled a sweet gift idea he'd seen from another famous couple, Aristotle Onassis and his wife, Jackie Kennedy Onassis, and decided to put his own spin on it, he said.

"I'd seen Aristotle Onassis gave his wives a bracelet," Paul detailed. "And so one of them was Jackie Onassis, and so it [spelled out] J-I-L-Y: 'Jackie, I love you.'"

"And so I suddenly thought, 'Perfect!' Get Linda one and it'll be L-I-L-Y, 'Linda, I love you,'" he continued. "Lily. It's the perfect name to do that with."

Linda and Paul McCartney.
Credit: Keystone/Hulton Archive/Getty

McCartney and Linda, who he described as his "lovely girl," tied the knot in 1969, not long before McCartney officially left the Beatles the following year. The couple welcomed three children together — Mary, 56; Stella, 54; and James, 48 — and remained together until 1998, upon Linda's death from breast cancer at age 56. McCartney also adopted Heather, Linda's daughter from a previous marriage.

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McCartney recently reflected on Linda's impact on him in a new installment of Words + Music with Audible, an expansion of his documentary Man on the Run. When he and Linda first met, she was like a "freeing influence" on him, he said.

“She had grown up in a posh bit of New York. She was on track to become the sort of company wife. But she didn't like that. She liked rock ‘n' roll,” McCartney said. “And she would do things like sneak out of the house late at night and drive into New York with a boyfriend. So there was a lot of freedom in her thinking. So I think that really was good for me.”

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She also encouraged McCartney "not to be too uptight," he said, and taught him a phrase that helped him relax.

"You'd be saying, ‘Oh, I'd love to do so and so but I can't.' And she'd say, ‘It's allowed.' It's like all the weight just went off,” McCartney recalled of Linda. “ ‘It's allowed.' Yeah, of course it is!”

McCartney's new album, The Boys of Dungeon Lane, is now available.

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Paul McCartney Reveals a Sweet Gift He Once Gave Wife Linda That Was Inspired by Jackie Kennedy

Paul McCartney Reveals a Sweet Gift He Once Gave Wife Linda That Was Inspired by Jackie Kennedy Rachel RaposasFri, May 29, ...
New Photo - Olivia Rodrigo responds to 'internet detective' sleuths still speculating about her feud with Tay...

&34;I think I tried to not let it get to me or upset me,&34; the singer said of rumors that there was a &34;frost&34; between her and Swift. &34;I think I just try to keep it truckin'.&34; Olivia Rodrigo responds to 'internet detective' sleuths still speculating about her feud with Taylor Swift &34;I think I tried to not let it get to me or upset me,&34; the singer said of rumors that there was a &34;frost&34; between her and Swift. &34;I think I just try to keep it truckin'.&34; By Wesley Stenzel :maxbytes(150000):stripicc()/WesleyStenzelauthorphoto32b61793a2784639af623f2ae091477e.

"I think I tried to not let it get to me or upset me," the singer said of rumors that there was a "frost" between her and Swift. "I think I just try to keep it truckin'."

Olivia Rodrigo responds to 'internet detective' sleuths still speculating about her feud with Taylor Swift

"I think I tried to not let it get to me or upset me," the singer said of rumors that there was a "frost" between her and Swift. "I think I just try to keep it truckin'."

By Wesley Stenzel

Wesley Stenzel

Wesley Stenzel

Wesley Stenzel is a news writer at **. He began writing for EW in 2022.

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May 29, 2026 5:39 p.m. ET

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Olivia Rodrigo in Los Angeles on March 15, 2026; Taylor Swift in Los Angeles on March 26, 2026

Olivia Rodrigo; Taylor Swift. Credit:

Jamie McCarthy/WireImage; Phillip Faraone/Getty

- Olivia Rodrigo addressed speculation about possible tension between her and Taylor Swift again.

- "I think if I dove into every internet detective sleuth that got things right or wrong about my life or any of my relationships, I think I'd just go crazy," the singer said.

- Rodrigo also said it was hard for her personally after she added Swift and others as credited songwriters on some of her songs.

Olivia Rodrigo has addressed — yet again — speculation about rumored tension between her and Taylor Swift.

The "Vampire" singer responded to multiple questions about their relationship in a new interview published Friday.

During her appearance on *The New York Times*' *Popcast* to promote her upcoming third album, *You Seem Pretty Sad for a Girl So in Love*, she was asked how she feels facing public "scrutiny," like after a March incident in which she was photographed leaving Paul McCartney's Los Angeles concert at the same time as Swift.

"I don't know. I don't really read too far into it," Rodrigo responded. "I think it comes with the territory and it's par for the course. I think if I dove into every internet detective sleuth that got things right or wrong about my life or any of my relationships, I think I'd just go crazy. There's just not enough time in the day."

Olivia Rodrigo and Taylor Swift

Olivia Rodrigo and Taylor Swift.

Olivia rodrigo/instagram

Rodrigo confirmed a hypothesis from the show's cohost, Joe Coscarelli, suggesting that she'd built a tolerance for the rampant speculation about her personal life after her debut single, "Drivers License," sent the internet into a frenzy.

"I think it made me feel detached from it," she said. "I had to detach from it in order to literally be okay. It's just such a crazy experience for everyone involved. I think I just had to learn to detach."

She continued, "I think that that's something that I hopefully am good at these days — still trying to detach from people who don't know every little detail of my life. I think you just have to, otherwise you just go crazy."

Olivia Rodrigo reacts to babydoll dress criticism, says it shows how we 'normalize pedophilia in our culture'

Olivia Rodrigo on Babydoll Dress

Scooter Braun says he will 'never truly understand' Taylor Swift feud: 'I legitimately don't know her'

Scooter Braun says he will 'never truly understand' Taylor Swift feud: 'I legitimately don’t know her'

Elsewhere in the podcast, Rodrigo discussed how she felt about claims that there might be a "frost" between her and Swift. "I don't know," she said. "I think I tried to not let it get to me or upset me. I think I just try to keep it truckin'. I think there's no use. It was so long ago. I think there's no use in, like, harping on it."

She added, "I just try to make songs that I love and try to be kind and good to other people and supportive of other people. And I've always tried to be like that. And at the end of the day, I think that's all you can do."

Rodrigo has repeatedly cited Swift as one of her primary influences, and the "Love Story" singer publicly supported her in the lead-up to her first album, *Sour*. Rodrigo interpolated elements from Swift's 2017 song "New Year's Day" on the album's fourth song, "1 Step Forward, 3 Steps Back," and credited Swift and the song's co-writer, Jack Antonoff, as composers.

Olivia Rodrigo in New York City on May 21, 2026

Olivia Rodrigo in New York City on May 21, 2026.

Kevin Mazur/Getty

Rodrigo later credited Swift and Antonoff as songwriters on the album's second single, "Deja Vu," due to its similarities to Swift's 2019 song "Cruel Summer." She also added Annie Clark, a.k.a. St. Vincent, as a composer because of her contributions to "Cruel Summer." Rodrigo also later credited Hayley Williams and Josh Farro as songwriters on her song "Good 4 U" due to its similarities to Paramore's song "Misery Business."

Rodrigo has said she was "a little caught off guard" by the crediting snafu. "At the time it was very confusing, and I was green and bright-eyed and bushy-tailed," she told *Rolling Stone* in 2023. "It's not something that I was super involved in… It was more team-on-team. So, I wouldn't be the best person to ask."

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Rodrigo acknowledged the situation again in her *Popcast* interview after Coscarelli suggested that "borrowing a little too much" musically has "come back to bite" her.

"It's a really hard time, just personally, but I don't know, I'm a fan girl. I love music, and nobody can take that away," she said on the podcast. "That sounds so cheesy, but I love music, and I feel so lucky that I get to do what I do, and I love so many songs, and I've grown up being surrounded with awesome music and awesome bands, and I truly just do feel so lucky."

Rodrigo previously addressed rumors of a feud with Swift in 2023. "I don't have beef with anyone," Rodrigo she told *Rolling Stone*. "I'm very chill. I keep to myself. I have my four friends and my mom, and that's really the only people I talk to, ever."**** The musician also declined to confirm whether or not her 2023 single "Vampire" was secretly about Swift. "I was very surprised when people thought that," she told*The Guardian* that year. "I never want to say who any of my songs are about. I've never done that before in my career and probably won't. I think it's better to not pigeonhole a song to being about this one thing."

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Olivia Rodrigo responds to 'internet detective' sleuths still speculating about her feud with Tay...

&34;I think I tried to not let it get to me or upset me,&34; the singer said of rumors that there was a &34;frost&34; be...

 

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